Cast: Balakrishna, Jagapathibabu, Srikanth, Pragya Jaishwal, Subbaraju, Kalakeya Prabhakar etc.
Construction Company: Dwarka Creations
Producer: Miryala Ravinder Reddy
Directed by: Boyapati Srinu
Cinematography: C Ram Prasad
Editing: Kotagiri Venkateswara Rao
Release Date: December 2, 2021
Natasinha Nandamuri Balakrishna and star director Boyapati Sreenu have created huge expectations for ‘Akhanda’ from the beginning. After ‘Sinha’ and ‘Legend’, this hit combo became a hat-trick movie, and the positive response to the already released trailer and teaser ‘created a hype on’ Akhanda ”. Let’s see.
‘Akhanda’ is the concept
Muralikrishna (Balakrishna) is a farmer from Anantapur district. The town is big, the poor are egged on. Factionalism redirects the talented youth and makes them talented. He builds schools and hospitals for the poor. Collector Saranya (Pragya Jaishwal) Murali Krishna, a newcomer to the same district, is fascinated by this kindness. He tells his love story and gets married. If cut .. Flood Kings (Srikanth) runs the mining mafia under the name of flood mines. He brutally kills those who oppose his wrongdoings. Starts uranium mining without government permits. These excavations pose a threat to the lives of the people of the area. Knowing the matter, Muralikrishna tries to stop uranium mining. But Varadaraju, with his reputation, made illegal cases against him and put him in jail. In this sequence Akhanda (Balakrishna) gives entry and stands by Muralikrishna family. Who is the real Akhand? What is the relationship of Muralikrishna family to Akhanda? Who is behind the mining mafia leader Varadaraju? How did Akhanda save the Muralikrishna family? How did Varadaraju stop Akhanda from playing? That is the rest of the story.
Who did it ..
Once again Balakrishna boomed with his own acting. The whole movie is a Balakrishna One Man Show. Village elder Murali Krishna, Balayya who appeared in two different roles as Akhanda .. impressed by showing variation in each character. His steps to the song ‘Jaibalayya’ take the movie Fights to another level. Pragya Jaishwal has impressed as the District Collector and Muralikrishna’s wife. Padmavati, the Principal Secretary of the Forest Department, has done an amazing job in the role. Srikanth, who played the villain in this movie, has made a new appearance on the screen. He did justice to the cruel character of the flood kings. The scenes between Balakrishna and Srikanth disappear. Jagapathibabu as a monk, Kalakeya Prabhakar as Rajan, a police officer with negative shades, the actor who appeared as Shaktiswaroopananda and the rest of the cast acted within the scope of their roles.
How is it ..
Balakrishna, Boyapati Srinu combo movie means .. Fans’ expectations are in a range. The reason for this is that in the past, the two together invaded the box office with the movies ‘Sinha’ and ‘Legend’. The hat trick movie in this super hit combo means that everything that the fans expect will be in ‘Akhanda’. The movie ‘Akhanda’ goes on with Balayya Mass Image and Boyapati Mark Dialogues. There will be whistling scenes for childhood fans on the steps.
Fastaf Anta Murali Krishna – The love affair between the Sharanyas goes on against the backdrop of the shapes done by the mining mafia. The unbroken arrival takes place before the interval. From there, Balayya gets excited. Every fight scene he does is whistling to childhood fans. At the same time, however, the average viewer will have the impression that he or she will be subjected to extreme violence in the second half. Director Boyapati locked the film with fight scenes and dialogues. Ignoring the story seems to focus more on the heroism itself. Every scene where Balayya appears .. is the same as the entry scene. Every fight he does is reminiscent of a climax scene. It should be said that Boyapati has given full meals to Balayya fans as a whole.
As for the performance of the technical sections .. The main strength of this film is the music. Jaibalayya, Akhanda, Adiga Adiga .. He sang the background music along with the songs. Especially Agora takes every scene that comes in the background to another level with his own BGM. From the beginning of the movie to the ending, the background score goes down. Ramprasad’s cinematography is good. M. Ratnam dialogues are the main strengths of the film. Kotagiri Venkateswara Rao editing is good. The production values of Dwarka Creations are in line with the cinematic level.